Auditions

All auditions for our 74th season will be at the Hoogland Center for the Arts. Dates are subject to change. Audition information and materials will be updated here as the directors make that available. Any general questions regarding auditions can be sent to springfieldtheatrecentre@gmail.com.

Murder Mystery: January 22, 2022
Moana Jr.: February 12, 2022

Nightmare at the Sweet Dreams Inn, a Totally 90s Murder Mystery Dinner Auditions

Nightmare at the Sweet Dreams Inn, a Totally 90s Murder Mystery Dinner Auditions

January 22nd 2022 (audition slots from 10:00 a.m. – 12:00 p.m.)

Written and Directed by Courtney Wick.

Springfield Theatre Centre is looking to cast 10 people in the upcoming production of Nightmare at the Sweet Dreams Inn. Auditionees will need to sign up for one 30 minute group audition slot. If needed, callbacks will occur in the afternoon on the same day. Auditionees are not required to prepare anything; however, copy of selected scenes that will be used can be found below..

Production Details

Show dates are March 18-19, 25-26, and April 1-2, 2022. Rehearsals will begin January 26th. A tentative rehearsal schedule can be found here.

Auditionees are asked to disclose all known evening/weekend conflicts between then and the run of the show on audition forms. Additional questions may be directed towards springfieldtheatrecentre@gmail.com

Health and Safety Notice for Auditionees (Please read Thoroughly)

STC will be requiring staff, cast, other show volunteers, and contractors to be vaccinated, no exceptions. Auditonees will be asked to bring their proof of vaccination to auditions. All individuals involved in STC productions will be expected to follow our current health and safety protocols and comply with any changes as necessary. If you have any questions, please email stcsafety21@gmail.com. Note that Springfield Theatre Centre will use extreme care when collecting and storing vaccination information to ensure privacy of this information. Only the show’s producers, director, and any other approved STC officials will have access to this information.

Springfield Theatre Centre will be following guidance from the CDC, IDPH, Hoogland Center for the Arts, and other resources to craft our COVID Health and Safety Production Procedures. These procedures will be distributed to all individuals involved in the production at the initial cast and staff meeting and whenever procedural changes have been made to reflect the current climate.

Face mask notice: Following the State of Illinois’s indoor mask mandate and the CDC and IDPH guidance, until further notice, all those involved in or auditioning for this production, will be required to wear a face mask while at auditions or rehearsals. Please plan to bring a facemask to auditions, or use one that will be provided to you at auditions.

Audition Registration

Those that are interested in Auditioning must sign-up for a group audition  time-slot: https://www.signupgenius.com/go/10C0F4CAFAC2FABF9CE9-nightmare.

All auditionees must also fill out the audition form prior to audition day.

Please make sure to arrive at least 15 minutes before the audition time slot.

Show Synopsis:

The Sweet Dreams Inn is a zany romp of a show that takes place on a dark and stormy night of September 1996 inside a southern roadside motel (by the same) nestled in the Appalachian  Mountains. All three acts are set inside the lobby of the motel with 4 motel room doors exposed above. There’s a door to the outside and a curtain behind the lobby counter that leads to a back  room. Onstage there’s a couch in the middle and off to one side an old 1990’s computer station.  There’s also an alcohol beverage tray between two blow-up furniture chairs. Everything here is  suited to the time; including the landline telephone, the CD player with a CD storage rack,  blockbuster video tapes on the counter, stenciled/ wallpapered walls, sponge painting, folding  screen, fake plants, sun and moon art, Ansel Adams photo, MC Escher print, a set of  Encyclopedia Britannica’s, and colorful 90’s rug. Lavinia Lovespell is the motels owner after her  parent’s recent death in a methamphetamine’s explosion. She lives at the motel with her  adopted brother, Kenneth, who was found as an orphan in the Appalachian hills as a small boy.  Kenneth serves as the motel grounds/housekeeper and has his own made-up language (from  spending the first few years of his life in the woods). Jason Waterfalls is Lavinia’s frenemy and  the town’s local mechanic. He helped Lavinia’s Father work on the motel before his untimely  death. The guests visiting the motel are Gabby Kline, Dr. Chaz Katz, Antoine Macarena, Annette  S. Ericcson, Mrs. Heather Pleater, and Seattle Plaid. They each represent a variety of 1990’s  tropes and stereotypes. The phone lines are cut, three people are murdered, and everyone is a  suspect. Detective Carmen Sandiego shows up to solve the unsolvable case. 

CHARACTER DESCRIPTIONS (5 WOMEN, 5 MEN) 

*18+ yr. old auditionees only. All characters of The Sweet Dreams Inn are zany, comedic, and  over the top. This show is campy, occasionally breaks the fourth wall, and pokes fun at murder  mysteries and 90’s culture. When considering how to portray these people, don’t hold back.  

  • LAVINIA LOVESPELL (Female, Can Play Age 27-77, Role Type: LEAD) 

Lavinia is from the deep south Appalachia. She inherited the roadside motel, The Sweet Dreams  Inn from her parents after their untimely death in a methamphetamine explosion. She is a true  Southern woman who is occasionally cruel, brassy, and brazen. She doesn’t much care for  Kenneth, an orphaned child whom her parents took in as a small boy. She’s onstage for most of  the show and has a mental break down somewhere along the line; strong comedic and  Southern accent acting skills needed. 90’s ROLE MODELS TO PULL FROM FOR THIS CHARACTER:  Reba McEntire, Delta Burke, Octavia Spencer in most roles she plays, The Entire Cast of Designing  Women, Florida Evans in Good Times, & Peg Bundy

  • GABBY KLINE (Female, Can Play Age 20-47, Role Type: LEAD) 

Gabby is sweet and mysterious, but often blunt and funny. She’s a reclusive woman from The  Midwest whose car breaks down on a stormy night outside The Sweet Dreams Inn. Gabby goes  through multiple transformations (both in looks and personality) over the course of the show,  so the actor must have a wide range of skills. 90’s ROLE MODELS TO PULL FROM FOR THIS  CHARACTER: Moesha, Blossom, Daria, Angela Chase from My So-Called Life, and Phoebe & Ursula  (twin from Friends). 

  • DR. CHAZ KATZ (Male, Can Play Age 27-77, Role Type: LEAD) 

Dr. Chaz Katz is a successful psychologist vacationing at The Sweet Dreams Inn with his younger  lover, Antoine Macarena. Chaz is rich, well-educated, flamboyant, and funny. He’s at this tawdry place because he’s also married (to a woman) with two children at home. Chaz is well put together, fashionable, and charming but suffers from an “intimacy addiction” that gets him into trouble. This actor needs to be skilled at physical comedy. 90’s ROLE MODELS TO PULL FROM  FOR THIS CHARACTER: Carlton Banks & Dr. Frasier Crane

  • JASON WATERFALLS/ COP 1 (Male, Can Play Age 27-77, Role Type: SUPPORTING) 

Jason worked for Lavinia’s father and is the town’s local mechanic/ drunk. He is currently one of  Lavinia’s frenemies. He’s handsome, sweet, and loves a party. Jason must be skilled at physical  comedy and be able to portray a Southern accent. This actor also comes back in the third act as a cop with ONE line who sings the theme song from Cops. 90’s ROLE MODELS TO PULL FROM  FOR THIS CHARACTER: Slater in Saved by The Bell, & Freddie Prinze Jr.

  • ANTOINE MACARENA (Male, Can Play Age 20-35, Role Type: LEAD) 

Antoine is a gender-nonconforming male vacationing at The Sweet Dreams Inn with Chaz, who  is his older lover he met when his family brought him in for sexual conversion therapy. Antoine  has a lot of one-liners and will likely be an audience favorite. He’s playful, a makeup and hair  artist, and loves everyone. This actor must be comedy gold. 90’s ROLE MODELS TO PULL FROM  FOR THIS CHARACTER: Bill Hader’s CLUB KID skit from SNL, Prince, Wilson Cruz from My So Called Life, Jack from Will and Grace, and RuPaul. 

  • ANNETTE S. ERICCSON (Female, Can Play Age 25-65, Role Type: LEAD) 

Annette is the Vice President of a Cellular Phone Company, Cellular One. She’s at The Sweet  Dreams Inn on business. Annette doesn’t want to be at the Inn, and she makes that known.  Annette is professional, mean, ballsy, and quick-witted. Her personality changes flirtatiously  when she takes her sleeping pills, which can get her into some unlikely situations. 90’s ROLE  MODELS TO PULL FROM FOR THIS CHARACTER: Murphy Brown, Lisa from SBTB, Karen from Will Grace, Laura Winslow from Family Matters (especially in her treatment of Kenneth/Urkle).

  • DETECTIVE CARMEN SANDIEGO (Female, Age 25-100, Role Type: SUPPORTING) 

Carmen serves as the detective and host of the plays 3rd act. This actor will need to have quality  comedic and improvisational skills as they will interact with the audience during the accusation  scene. Carmen is a tough as nails detective who pays homage to the original character with a  lot of 90’s computer game references. Her characterization changes based on if she’s speaking  with the suspects or the audience. 90’s ROLE MODELS TO PULL FROM FOR THIS CHARACTER:  Detective Nina Moreno from New York Undercover, The Chief from Carmen Sandiego, Olivia  Benson on SVU, Dana Scully from The X-Files. 

  • SEATTLE PLAID/ CHI-CHI’S DELIVERY/ COP 2 (Male, Age 18-40, Role Type: FEATURE) 

Seattle is the hot playboy, lead singer of a popular grunge band, Garbage Log. He’s come to the  Sweet Dreams Inn with his main groupie, Heather Pleather. He’s only in one scene and speaks  entirely in 90’s slang terms. The actor must be funny and memorable even with a short amount  of stage time. This actor will double as the Chi-Chi’s Delivery Man and Cop 2 in Act 3. 90’s ROLE  MODELS TO PULL FROM FOR THIS CHARACTER: Kurt Cobain, Jared Leto in the 90’s, Brendan  Frasier. 

  • MRS. HEATHER PLEATHER (Female, Age 18-30, Role type: LEAD) 

Heather is the main groupie girlfriend of Seattle Plaid. She’s beautiful, ditzy, and doesn’t give AF  anything happening at The Sweet Dreams Inn, unless it involves Garbage Log. Heather speaks in  90’s valleytalk and interprets for Seattle. She’s also secretly married to an 85-year-old man who’s  rumored to be a millionaire drug lord. Heather thinks everyone else is lame. 90’s ROLE MODELS TO  PULL FROM FOR THIS CHARACTER: Dionne and Cher from Clueless, Cordelia Chase, Buffy, Mean Girls.

  • KENNETH (Male, Can Play Age 20-70, Role Type: LEAD) 

Kenneth was found abandoned, living in the Appalachian Hills as a boy by Lavinia’s parents.  They raised him as her brother, but he’d already developed his own language and a penchant  for befriending animals. Now that Lavinia’s parents are dead, Kenneth lives in the shed at the  motel and serves as the house and groundskeeper. Kenneth is a total weirdo. This actor must  have amazing comedic timing, be able to portray a made-up language in an Appalachian-esque  accent and break out into song a few times. 90’s ROLE MODELS TO PULL FROM FOR THIS  CHARACTER: Kramer from Seinfeld, Steve Urkle, and Slingblade.

Moana Jr. Auditions

Moana Jr. Auditions

Saturday, February 12, 2022 (9:30 a.m. – 3:00 p.m.)

1 hour audition slots: 9:30, 10:30, 11:30, 1:00, 2:00

 

AUDITION INFO:

Open to students kindergarten – seniors in high school who are fully vaccinated (please note STC’s vaccination policy below)

Those interested should prepare a 30-60 second song of their choosing and are expected to bring sheet music for piano accompaniment.  A pianist will be provided. Songs should be something the child is comfortable with and shows off their range. Each child will be allowed to read for 2 parts – one of their choosing and one of the director’s choosing. Each group will be taught a basic movement piece during auditions and will perform the piece as a group for the audition panel at the end of the hour. Face coverings will be worn at all times except when the auditionee is performing their song.  Social distancing will be maintained at all times.

ALL auditionees should fill out an audition form indicating what parts they are interested in and include ALL conflicts between February 14th and May 1st. Audition registration and form can be found below.

Callbacks may be held the afternoon of Sunday, February 13th.  Those called back will be notified by 5 p.m. on Saturday, February 12th.  Those not called back will still be considered for the show.

 

HEALTH AND SAFETY NOTICE FOR AUDITIONEES (Please read Thoroughly):

STC will be requiring staff, cast, other show volunteers, and contractors to be vaccinated, no exceptions. Auditonees will be asked to bring their proof of vaccination to auditions. All individuals involved in STC productions will be expected to follow our current health and safety protocols and comply with any changes as necessary. If you have any questions, please email stcsafety21@gmail.com. Note that Springfield Theatre Centre will use extreme care when collecting and storing vaccination information to ensure privacy of this information. Only the show’s producers, director, and any other approved STC officials will have access to this information.

Springfield Theatre Centre will be following guidance from the CDC, IDPH, Hoogland Center for the Arts, and other resources to craft our COVID Health and Safety Production Procedures. These procedures will be distributed to all individuals involved in the production at the initial cast and staff meeting and whenever procedural changes have been made to reflect the current climate.

Face mask notice: Following the State of Illinois’s indoor mask mandate and the CDC and IDPH guidance, until further notice, all those involved in or auditioning for this production, will be required to wear a face mask while at auditions or rehearsals. Please plan to bring a facemask to auditions, or use one that will be provided to you at auditions.

 

AUDITION REGISTRATION:

Those that are interested in Auditioning must sign-up for a group audition time-slot: https://www.signupgenius.com/go/10C0F4CAFAC2FABF9CE9-moana

All auditionees must also fill out the audition form prior to audition day: https://forms.gle/EGAuxqGfVC5VTPUq8

Please make sure to arrive at least 15 minutes before the audition time slot.

 

PRODUCTION DETAILS:

First rehearsal (with parent meeting) will be on Monday, February 14th at 6 p.m.  The parent meeting will last 30 minutes and the cast will stay until 8:30.  Scripts will be assigned and we will read/sing through the show.

Rehearsals generally will be 6:00-8:30 p.m. Monday-Thursdays and 6:00-9 p.m. on Fridays.  We will be taking some evenings off based on conflicts/holidays.  The full schedule should be available during the first week of rehearsals.

 

SHOW SUMMARY:

The Chief Ancestors of Motunui and the Ancestor Ensemble recount the tale of how, over a thousand years ago, Maui, a shapeshifter and demigod, stole the heart of the goddess Te Fiti, the mother island. While trying to escape with the Heart, Maui was attacked by Te Kā, a demon of earth and fire. In their struggle, the Heart was lost to the sea. Fearing Te Kā’s violent wrath, the Villagers of Motunui stopped voyaging, a defeated Maui disappeared, and the Ocean guarded the Heart of Te Fiti.

In the present, the Ocean entrusts the Heart to Moana on the island of Motunui. Despite Moana’s strong connection to the Ocean, her parents, Chief Tui and Sina, view it as dangerous and prevent her from venturing out beyond the reef. They advise Moana to embrace her future role as the chief of the village, and the other Villagers join in to encourage Moana to find happiness on the island.  When the Villagers lament their blackened crops and the shortage of fish, Moana suggests fishing beyond the reef, but her father forbids it. Moana contemplates breaking the rules and voyaging out to sea. Her friends, Pua and Hei Hei, try to stop her, but she remains steadfast. Together, the three push out to sea, but a large wave quickly capsizes their canoe.

Gramma Tala sees this failed expedition and decides to reveal the truth of their ancestors’ voyaging past to Moana. Soon, Gramma Tala grows weak, and in her last moments, urges Moana to draw courage from her inner voice, revealing that it is her destiny to return the Heart of Te Fiti. After Gramma Tala’s passing, an emboldened Moana resolves to fulfill her destiny and save Motunui.  Moana lands on an island and meets the arrogant, yet charming, Maui. She convinces him to help her restore the Heart of Te Fiti. However, Maui insists that they first find his magical fishhook, which allows him to shapeshift. To do this, they journey into Lalotai, the Realm of Monsters. Here, they find Tamatoa, the giant, egotistical crab who collects valuable objects – including Maui’s hook.  In Tamatoa’s lair, Moana acts as a distraction while Maui finds his hook. Maui tries to shapeshift and save them both from Tamatoa’s clutches, but he fails to harness the hook’s powers. To escape, Moana cleverly tricks Tamatoa into pursuing a piece of glowing algae that resembles the Heart of Te Fiti. Distraught over his failure to shapeshift, Maui loses confidence, but the ever-resilient Moana refuses to give up. A revitalized Maui then agrees to teach Moana the ancient skills of wayfinding to help them in their mission.

As Moana and Maui finally approach Te Kā, they are met by treacherous seas. When Moana refuses to back down, a powerful wave cracks Maui’s hook. Wanting to avoid permanent damage to the hook, Maui leaves Moana to finish the quest alone. Gramma Tala appears and reminds Moana of who she is and where she comes from.  With her confidence restored, Moana finally faces Te Kā. Maui returns to help, but Te Kā destroys his hook. Listening to her inner voice, Moana suddenly has a realization about Te Kā and lets the monster approach. Face to face with Te Kā, Moana places the Heart into Te Kā’s chest. Te Kā transforms into the goddess Te Fiti and restores Maui’s hook.  Moana returns home to a revived Motunui. Once more, the Villagers of Motunui assume their identity as voyagers, now with Moana as their master wayfinder.

 

CHARACTERS:  

Note that all cast members except Moana and the Ocean Ensemble may play more than one role (i.e. a named role and be part of specific ensembles)

Moana
The vibrant, tenacious, and optimistic daughter of Motunui’s chief. She struggles to reconcile her father’s plans for her to take over as the village chief with her own desires to voyage beyond the reef. Ultimately, Moana proves a compassionate and capable leader.
Gender: female
Vocal range top: D5
Vocal range bottom: G3

Maui
A demigod and master wayfinder with charisma to spare and a reputation of being a trickster. Despite his hard exterior, Maui becomes a wonderful friend and mentor to Moana throughout their journey.  Note: The character Maui is based on the fabled Pacific Island demigod, so proceed with respect and caution in costuming and portrayal.
Gender: male
Vocal range top: B3
Vocal range bottom: G2

Chief Ancestors (1-3)
Chief Ancestors (1-3) are the three ancient leaders of Motunui. They guide Moana on her quest and narrate her story through speaking and singing solos.
Vocal range top: A4
Vocal range bottom: G3

Gramma Tala
Moana’s wise grandmother and the mother of Chief Tui. She is the village storyteller known for being eccentric and dancing to the beat of her own drum.
Gender: female
Vocal range top: B4
Vocal range bottom: G3

Chief Tui
The proud leader of Motunui and Moana’s father. He prioritizes the safety of his people and his family.
Gender: male
Vocal range top: A#2
Vocal range bottom: E2

Sina
Moana’s supportive mother. She is compassionate, perceptive, and strong-willed, and trusts her daughter to make the right decisions.
Gender: female
Vocal range top: C#5
Vocal range bottom: C#4

Pua
Moana’s fiercely loyal friend. Pua always supports Moana – even if it means facing her own fears.
Vocal range top: C#5
Vocal range bottom: B3

Hei Hei
Moana’s not-so-bright friend. Hei Hei is well- meaning, but naive.
Vocal range top: C#5
Vocal range bottom: B3

Tamatoa
The vicious and egotistical giant crab who lives in Lalotai, the Realm of Monsters. Tamatoa enjoys gathering shiny baubles to add to an ever-growing collection.
Vocal range top: B4
Vocal range bottom: B3

Ensemble
Ensemble roles include Ancestor Ensemble, Ocean Ensemble, Villagers (Dancers, Weavers, Fishers 1 & 2), Maui Ensemble, Monsters, Gate Monster, Left Claw, Right Claw, Shiny Ensemble, Te Fiti, Te Kā

 

Health and Safety Notice for Auditionees

STC will be requiring staff, cast, other show volunteers, and contractors to be vaccinated, no exceptions. Auditonees will be asked to bring their proof of vaccination to auditions. All individuals involved in STC productions will be expected to follow our current health and safety protocols and comply with any changes as necessary. If you have any questions, please email stcsafety21@gmail.com. Note that Springfield Theatre Centre will use extreme care when collecting and storing vaccination information to ensure privacy of this information. Only the show’s producers, director, and any other approved STC officials will have access to this information.

Springfield Theatre Centre will be following guidance from the CDC, IDPH, Hoogland Center for the Arts, and other resources to craft our COVID Health and Safety Production Procedures. These procedures will be distributed to all individuals involved in the production at the initial cast and staff meeting and whenever procedural changes have been made to reflect the current climate.

Face mask notice: Following the State of Illinois’s indoor mask mandate and the CDC and IDPH guidance, until further notice, all those involved in or auditioning for this production, will be required to wear a face mask while at auditions or rehearsals. Please plan to bring a facemask to auditions, or use one that will be provided to you at auditions.